Thursday, February 24, 2011

THE SMALL KEY By: Paz Latorena


It was very warm. The sun, up above a sky that was all blue and tremendous and beckoning to birds ever on the wing, shone bright as if determined to scorch everything under heaven, even the low, square nipa house that stood in unashamed relief against the gray green haze of grass and leaves.

It was a lonely dwelling, located far from its neighbors, which were huddled close to one another as if for mutual comfort, it was flanked on both sides by tall, slender bamboo tress which rustled plaintively under a gentle wind.

On the porch a woman past her early twenties stood regarding the scene before her with eyes made incurious by its familiarity. All around her the land stretched endlessly, it seemed, and vanished into the distance there were dark newly plowed furrows where in due time timorous seedlings would give rise to study stalks and golden grain, to a ripping yellow sea in the wind and sun during harvest time.

Promise of plenty and reward for hard toil! With a sigh of discontent, however, the woman turned and entered a small dining room where a man sat over a belated midday meal.

Pedro Buhay, a prosperous farmer, looked up from his plate and smiled at his wife as she stood framed by the doorway, the sunlight glinting on her dark hair, which was drawn back, without a relenting wave, from a rather prominent and austere brow.

"Where are the shirts I ironed yesterday?" she asked as she approached the table.

"In my trunk, I think" he answered.

"Some of them need darning" and observing the empty plate, she added, "do you want some more rice?"

"No" hastily, "I am in a hurry to get back. We must finish plowing the south field today because tomorrow is Sunday."

Pedro pushed the chair back and stood up. Soledad began to pile the dirty dishes one on top of the other.

"Here is the key to my trunk" from the pocket of his khaki coat he pulled a string of nondescript red, which held together a big shiny key and another small, rather rusty - looking one.

With deliberate care he untied the knot, and, detaching the big key, dropped the small one back into his pocket. She watched him fixedly as he did this. The smile left her face and strange look came into her eyes as she look the big key from him without a word together they left the dining room.

Out on the porch, he put an arm around her shoulder and peered into her shadowed face.

"You look pale and tired", he remarked softly. "What have you been doing all morning?"

"Nothing," she said listlessly, "but the heat gives me a headache."

"Then lie down and try to sleep while I am gone." For a moment they looked deep into each other's eyes.

"It is really warm," he continued. "I think I will take off my coat."

He removed the garment absent-mindedly and handed it to her. The stairs creaked under his weight as he went down.

"Choleng" he turned his head as he opened the gate, "I shall pass by Tia Maria's house and tell her to come, I may not return before dark."

Soledad nodded. Her eyes followed her husband down the road, noting the fine set of his head and shoulders, the ease of his stride. A strange ache rose in her throat.

She looked at the coat he had handed to her. It exuded a faint smell of his favorite cigars, one of which he invariably smoked, after the day's work, on his way home from fields. Mechanically, she began to fold the garment.

As she was doing so, a small object fell o the floor with a dull, metallic sound. Soledad stooped down and picked it up. It was the small key! She started at it in her palm as if she had never seen before. Her mouth was tightly drawn and for a while she looked almost old.

She passes into the small bedroom and tossed the coat carelessly on the back of a chair. She opened the window and the early afternoon sunshine flooded in. On a mat spread on the bamboo floor were some newly washed garments.

She began to fold them one by one in feverish haste, as if seeking in the task

Of the moment a refuge from painful thoughts. But her eyes moved restlessly around the room until they rested almost furtively on a small trunk that was half concealed by a rolled mat in a dark corner.

It was a small, old trunk, without anything on the outside that might arouse one's curiosity. But it held the things she had come to hate with unnecessary anguish and pain, and threatened to destroy all that was most beautiful between her and her husband!

Soledad came across a torn garment. She threaded a needle but after a few uneven stitches she pricked her finger and a crimson drop stained the white garment. Then she saw she had been mending on the wrong way.

"What is the matter with me?" she asked herself aloud as she pulled the thread with nervous and impatient fingers.

What did it matter if her husband chose to keep the clothes of his first wife?

"She is dead now, anyhow, she is dead." She repeated to herself over and over again.

The sound of her own voice calmed her. She tried to thread the needle once more. But she could not, for the tears had come unbidden and completely blinded her.

"My God," she cried with a sob "make me forget Indo's face as he put the small key back into his pocket"

She brushed her tears with a sleeve of her camisa and abruptly stood up. The heat was stifling, and the silence in the house was beginning to be unendurable.

She looked out of the window. she wondered what was keeping Tia Maria Perhaps Pedro has forgotten to pass by her house in his hurry. She could picture him out there in the south field gazing far and wide at the newly plowed land, with no thought in his mind but work. Work. For. To the people of the barrio whose patron saint, San Isidro Labrador, smiled on them with benign eyes from his crude altar in the little chapel up the hill, this season was a prolonged hour of passion during which they were blind and deaf to everything but the demands of the land.

During the next half hour, Soledad wandered in and out of the rooms, in an effort to seek escape from her own thoughts and to fight down an overpowering impulse. Tia Maria would only come and talk to her to divert her thoughts to other channels!

But the expression of her husband's face as he put the small key back into his pocket kept torturing her like a nightmare, goading her beyond endurance. Then, with all resistance to the impulse gone, she was kneeling before the small trunk. With a long drawn breath she inserted the small key. There was unpleasant, metallic sound for the key had not been used for a long time and it was rusty.

II

That evening Pedro Buhay hurried home with the usual cigar dangling from his mouth, please with himself and the tenants because the work in the south field has been finished. He was met by Tia maria at the gate and was told by her that Soledad was in bed with a fever.

"I shall go to town and bring Dr.Santos," he decided, his cool hand on his wife's brow.

Soledad opened her eyes.

"Don't Indo," she begged with a vague terror in her eyes which he took for anxiety for him because the town was pretty far and the road was dark and deserted by that hour of the night. "I shall be all right tomorrow."

Pedro returned an hour later, very tired and rather worried. The doctor was not at home. But the wife had promised to send him to Pedro's house as soon as he came in.

Tia Maria decided to remain for the night. But it was Pedro who stayed up to watch over the sick woman. He was puzzled and worried - more than he cared to admit. It was true that Soledad had not looked very well when he left her early that that afternoon. Yet, he thought, the fever was rather sudden. He was afraid it might be a symptom of a serious illness.

Soledad was restless the whole night. She tossed from one side to another, but towards morning she fell into some sort of troubled sleep. Pedro then lay down to snatch a few winks.

He woke up to find the soft morning sunshine streaming through the half opened window, playing on the sleeping face of his wife. He got up without making any noise. His wife was now breathing evenly. A sudden rush of tenderness came over him at the sight of her - so slight, so frail.

Tia Maria was nowhere to be seen, but that did not bother him for it was Sunday and work in the south field was finished. However, he missed the pleasant aroma which came from the kitchen every time he woke up early in the morning.

The kitchen looked neat but cheerless, and an immediate search for wood brought no results. So, shouldering an ax, Pedro descended the rickety stairs that led to the backyard.

The morning was clear and the breeze soft and cool. Pedro took in a breath of air. It was good - it smell of trees, of the rice fields, of the land he loved.

He found a pile of logs under the young mango tree near the house, and began to chop. He swung the ax with rapid clean sweeps, enjoying the feel of the smooth wooden handle in his palms.

As he stopped for a while to mop his brow, his eye caught the remnants of a smudge that had been built in the backyard.

"Ah!" he muttered to himself. "She swept that yard yesterday after I left her. That coupled with the heat must have given her a headache and then the fever."

The morning breeze stirred the ashes and a piece of white cloth fluttered into view.

Pedro dropped his ax. It was a half - burnt panuelo. Somebody had been burning clothes. He examined the slightly ruined garment closely. A puzzled expression came into his eyes. First it was doubt groping for truth, then amazement, and finally agonized incredulity passed across his face. He almost ran back to the house. In three strides he was upstairs. He found his coat hanging from the back of a chair

Cautiously he entered the room. The heavy breathing of his wife told him that she was still sleep. As he stood by the small trunk, a vague distance to open it assailed him. Surely, he must be mistaken. She could not have done it, she could not have done that…that foolish…

Resolutely he opened trunk. It was empty.

It was nearby noon when the doctor arrived. He felt Soledad's pulse and asked questions which she answered in monosyllables.

Pedro stood by listening to the whole procedure with an expression when the doctor told him by the gate that nothing was really wrong with his wife although she seemed to be worried about something. The physician merely prescribed a day of complete test.

Pedro lingered on the porch after the doctor had mouthed his horse and galloped away. He was trying not to be angry with his wife. He hoped it would be just an interlude that could be recalled without bitterness. She would explain sooner or later, she would be repentant, perhaps she would even try to convince him that shi had done it because she loved him. And he would listen and eventually forgive her for she was young always remain a shadow in their lives.

SINO ANG TUNAY NA BALIW By: Basil Valdez


Ang natutuwang baliw, yaman ay pinagyabang
Dahil ari niya raw, ang araw pati ang buwan
May isang sa yaman ay, salapi ang hinihigan
Ngunit ang gintong baul, panay kasalanan ang laman

Sinasambit ng baliw, awit na walang laman
Ulo mo'y maiiling, tatawagin mong hangal
May isang hindi baliw, iba ang awit na alam
Buong araw kung magdasal, sinungaling rin naman

Sinong dakila? Sino ang tunay na baliw?
Sinong mapalad? Sinong tumatawag ng habag?
Yaong bang sinilang, na ang pag-iisip di lubos?
O husto ang isip, Ngunit sa pag-ibig ay kapos

Ang kanyang tanging suot, ay sira-sirang damit
Na nakikiramay sa isip niyang punit-punit
May binata ang gayak, panay diamante at hiyas
Ngunit oras maghubad, kulay ahas ang balat

Sinong dakila? Sino ang tunay na baliw?
Sinong mapalad? Sinong tumatawag ng habag?
Yaong bang sinilang, na ang pag-iisip hindi lubos?
O husto ang isip, Ngunit sa pag-ibig ay kapos

Sa kanyang kilos at galaw, tayo ay naaaliw
Sa ating mga mata, isa lamang siyang baliw
Ngunit, kung tayo ay, hahatulang sabay
Sa mata ng Maykapal, siya'y higit na banal

Sinong dakila? Sino ang tunay na baliw?
Sinong mapalad? Sinong tumatawag ng habag?
Yaong bang sinilang, na ang pag-iisip di lubos?
O husto ang isip

Kaya't sino, sino, sino, sino nga
Sino nga ba, Sino Sino ba,
Sino nga ba ang tunay na baliw?

Saturday, February 19, 2011

LITERATURE: Shaping Our Future

     We all know that our country was known as "The Pearl of the Orient" because of its unique natural resources. The Philippines is also a heritage of cultural traits that influenced by its past colonizer. And those cultural traits was preseved and still remains on our hearts. It is important to one country to preserve their origin--their culture, because it will be the reference of their identity. Our country was colonized by different people who came here. The Spanish colonized our country for almost 300 years and because of their bad colonial administration in our country, various writers in that period do novels about their status at that time. Some Filipinos on that time was working as stage actresses/actors in various peryahan on that time. I can definitely say that on that time, many literary works evolved. Why? Because of the influence of Spanish colonization, they tend to do this kind of works to inform our fellowmen that we are enslaved by the Spaniards. Because of this, Filipinos nationalism prevailed.

     Next period was the colonization of the Americans. Their management in our country has become beautiful because they have given us an education. Because we had the education, the writers in those days had more extensive knowledge on writing more of their works.

   The variety and abundance of Philippine literature evolved even before the colonial periods. Folk tales, epics, poems and others existed in most ethnolinguistic groups that were passed on from generations to generations through word of mouth.

Tuesday, February 8, 2011

THE WORLD IS AN APPLE by Alberto Florentino

Characters: -Mario 
-Gloria 
-Pablo 

Narrator: Mario enters. sits down and buries his head in his hands. Gloria crosses to him and lay a hand on his shoulder. 
Gloria: I know something is wrong. Mario, I can feel it. Tell me what it is 
Mario: Gloria, I've lost my job 
Gloria: Oh, no! How did you lose it? Mario! Have your sinful fingers brought you trouble again? 
Mario: Now, now, Gloria Don't try to accuse me as they did. An apple! Yes, and they kicked me out for it for taking one single apple 
Gloria: So that's what you get. . . 
Mario: Could I guessed they would do that for one apple? When there were millions of them? We were hauling them to the warehouse. I saw one roll out of a broken crate. It was that big. Suddenly, I found myself putting it in my lunch bag. Do you remember that day I took our little girl out for a walk? On our way home we passed a grocery store that sold "delicious" apples at seventy centavos each. She wanted me to buy one for her but I did not have seventy centavos. She cried. So, when I saw this apple roll out of crate, I thought that Tita would love to have it. 
Gloria: We're not rich. We can live without apples. 
Mario: Why? Did God create apple trees to bear fruit for the rich alone? Didn't He create the whole world for everyone? 
Gloria: So, for a measly apple, you lose a job! Filching an apple that's too small a reason to kick a poor man out a work. You should ask them to give you a second chance, Mario. 
Mario: They won't do that. Can't you see they had waiting for me to make a slip like that? They've wanted to throw me out for any reason, so that they may bring their men in. 
Gloria: You should complain. . . 
If I did, they would dig up my police record. They will do anything to keep me out. But, don't worry, I have found a good job. 
Gloria: I know God wouldn't let us down. Mother was wrong. You know, before we get married, she used to tell me "Gloria, you'll commit the greatest mistake of your life if you marry a good - for - nothing loafer!." Oh, you've changed! 
Pablo: Hmmmm. How romantic. 
Mario: Pablo! 
Gloria: What are you doing here? What do you want? 
Pablo: Your daughter. . . how is she? Here, I'll loan you a few pesos. It may help your daughter to get well. 
Gloria: No. Thank you. Mario has stopped depending on you, since the day I took him away from your clutches! I have no regrets. Mario has none, either. 
Pablo: How you can be sure? When he and I were pals we could go to first -class air- conditioned movie houses every other day. I'll bet all the money I have here now that he has not been to one for four years! 
Gloria: One cannot expect too much from honest money - we don't 
Pablo: What is honest money? Does it buy more? Staying in this dungeon you call a house, is that what you so beautifully call "honesty"?. 
Mario: Pablo! 
Gloria: I know you have come to lead him back to your dishonest ways, but you can't. 
Pablo: You call this living? This Gloria,, is what you call dying - dying slowly minute by minute. 
Mario: Pablo, stop it!. 
Pablo: Tell her that you no longer believe in the way she wanted you to live. 
Gloria: Oh! Mario, . . you promised me you were through with him. 
Mario: Gloria. . . you . . . must understand . . . I tried long and hard . . . but could not lift us out of this kind of life. . . 
Gloria: You are not going with him, You take good care of yourself and our child. 
(Mario walks away with Pablo, Gloria stares dumbly at then.) 
Gloria: Mariooooo! ( she cover her face with her dress and cries into it.)

Read more: http://wiki.answers.com/Q/What_is_the_whole_script_of_The_world_is_an_apple_by_Alberto_Florentino#ixzz1DTsWQOHG

SA GABI NG ISANG PIYON by Lamberto E. Antonio

Sa Gabi ng Isang Piyon (In the Night of a Peon) is a Tagalog poem written by Lamberto E. Antonio in 1946. It is about the life of a Filipino laborer. 


SA GABI NG ISANG PIYON


Paano ka makakatulog?
Iniwan man ng mga palad mo ang pala,
Martilyo, tubo’t kawad at iba pang kasangkapan,
Alas-singko’y hindi naging hudyat upang
Umibis ang graba’t semento sa iyong hininga.
Sa karimlan mo nga lamang maaaring ihabilin
Ang kirot at silakbo ng iyong himaymay:
Mga lintos, galos, hiwa ng daliri braso’t utak
Kapag binabanig na ang kapirasong playwud,
Mga kusot o supot-semento sa ulilang
Sulok ng gusaling nakatirik.
Binabalisa ka ng paggawa — 
(Hindi ka maidlip kahit sagad-buto ang pagod mo)
Dugo’t pawis pang lalangkap
Sa buhangin at sementong hinahalo na kalamnang
Itatapal mo sa bakal na mga tadyang:
Kalansay na nabubuong dambuhala mula
Sa pagdurugo mo bawat saglit; kapalit
Ang kitang di-maipantawid-gutom ng pamilya,
Pag-asam sa bagong kontrata at dalanging paos.
Paano ka matutulog kung sa bawat paghiga mo’y
Unti-unting nilalagom ng bubungang sakdal-tayog
Ang mga bituin? Maaari ka nga lamang
Mag-usisa sa dilim kung bakit di umiibis
Ang graba’t ‘semento sa iyong hininga...
Kung nabubuo sa guniguni mo maya’t maya
Na ikaw ay mistulang bahagi ng iskapold
Na kinabukasa’y babaklasin mo rin.

Monday, February 7, 2011

VALEDICTION TO HILLCREST by Rolando Tinio

Pagkacollect ng Railway Express sa aking things
(Derecho na iyon sa barko while I take the plane), 
Inakyat kong muli ang N-311 at dahil dead of winter,
Nakatopcoat at galoshes akong
Nagright turn sa N wing ng mahabang dilim
(Tunnel yatang aabot hanggang Tondo.
Kinapa ko ang switch sa hall.
Sa isang pitik, nagshrink ang imaginary tunnel,
Nagparang ataol.

Or catacomb,
Strangely absolute ang impression
Ng hilera ng mga pintong nagpuprusisyon:
Individual identification, parang mummy causes,
De-nameplate, de-numero, de-hometown address.
Antiseptic ang atmosphere, streamlined yet/
E filing cabinet.

Filing, hindi naman deaths, ha.
Remembrances, oo. Yung medyo malapot
Dahil, alam mo na I’m quitting the place
After two and a half years.
After two and a half years,
Di man nagkatiyempong mag-ugat, ika nga,
Siyempre’y naging attached, parang morning glory’ng
Mahirap mapaknit sa alambreng trellis.

At pagkabukas ko sa kuwarto
Hubo’t hubad na ang mattresses,
Wala nang kutson sa easy chair.
Mga drawer ng bureau’y nakanganga,
Sabay-sabay nag-ooration,
Nagkahiyaan, nabara.

Of course, tuloy ang radiator sa paggaralgal:
Nasa New York na si Bob and the two Allans,
Yung mga quarterbacks across the hall
Pihadong panay sa Des Moines.
Don and Constance aren’t coming back at all.
Gusto ko mang magpaalam—
to whom?
The drapes? the washbowl? sa double-decker
Na pinaikot-ikot namin ni Kandaswamy
To create space, hopeless, talagang impossible.
Of course, tuloy ang radiator sa paglagutok.
And the above silence,
nakakaiyak kung sumagot.)

Bueno, let’s get it over with.
It’s a long walk to the depot.
Tama na ang sophistication- sophistication.

Sa steep incline, pababa sa highway
Where all things level, sabi nga,
There’s a flurry, ang gentle- gentle.
Pagwhoosh-whoosh ng paa ko,
The snow melts right under:

Nagtutubig, parang asukal,
Humuhulas,
Nagsesentimental.

Another Invitation to the Pope to Visit Tondo by Emmanuel Torres

Next time your Holiness slums through our lives, 
we will try to make our poverty exemplary. 
The best is a typhoon month. It never fails 
To find us, like charity, knocking on 
all sides of the rough arrangements we thrive in. 
Mud shall be plenty for the feet of the pious. 

We will show uoi how we pull things together 
from nowhere, life after life, 
prosper with children, whom you love. To be sure, 
we shall have more for you to love. 

We will show you where the sun leaks on 
our sleep, 
on the dailiness of piece meals and wages 
with their habit of slipping away 
from fists that have holes for pockets. 

We will show you our latest child with a sore 
that never sleeps. When he cries, 
the dogs of the afternoon bark without stopping, 
and evening darkens early on the mats. 

Stay for supper of turnips on our table 
since 1946 swollen with the same hard tears. 
The buntings over our one and only window 
shall welcome a short breeze. 

And lead prayers for the family that starves 
and stays together. If we wear roasries round 
our nexks 
it is not because they never bruise our fingers, 
(Pardon if we doze on a dream of Amen.) 

But remember to remember to reward us 
with something . . . more lush, greener than all 
the lawns of memorial parks singing together. 
Our eyes shall belss the liveliness of dollars. 

Shed no tears, please, for the brown multitudes 
who thicken on chance and feast on leftovers 
as the burning garbage smuts the sky of Manila 
pile after pile after pile. 

Fear not. Now there are only surreal assassins 
about who dream of your death in the shape 
of a flowering kris